<\/p>\n
by Ruzante<\/i><\/span><\/p>\n The production, created on commission from the Italian Ministry of Culture and the Japan Foundation for the \u201cPrimavera Italiana\u201d Festival in Japan, has been staged with extraordinary success at the national theaters of Tokyo, Nagoya, Kyoto and Osaka. For the first time in history, non-Japanese actors performed in spaces devoted to Noh theater.<\/span><\/p>\n Parlamento\u00a0<\/i><\/span>and\u00a0<\/span>Bilora\u00a0<\/i><\/span>are two of Ruzante\u2019s most representative works. It was the rustic dialect of Venetian he used, \u201cPavan,\u201d that underpinned the popularity of his comedies of a bluntly anti-literary character, in which some scholars see the origin of the <\/span>Commedia dell\u2019Arte<\/i><\/span>. Until a series of historical vicissitudes \u2013 including the decline of the republic of Venice and the rise of Tuscan at the expense of Venetian, demoted from the language of European diplomacy to the status of a dialect \u2013 resulted in the eclipse of Ruzante\u2019s fame, causing his work to fall for a long time into oblivion.<\/span><\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" by Ruzante The production, created on commission from the Italian Ministry of Culture and the Japan Foundation for the \u201cPrimavera Italiana\u201d Festival in Japan, has been staged with extraordinary success at the national theaters of Tokyo, Nagoya, Kyoto and Osaka. For the first time in history, non-Japanese actors performed in spaces devoted to Noh theater.…<\/p>\n","protected":false},"author":2,"featured_media":1115,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_themeisle_gutenberg_block_has_review":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10],"tags":[100],"class_list":["post-681","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arsenale-teatro","tag-100"],"acf":[],"jetpack_featured_media_url":"https:\/\/www.teatroarsenale.it\/wp-content\/uploads\/2021\/10\/2008-PARLAMENTO-E-BILORA.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/posts\/681","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/comments?post=681"}],"version-history":[{"count":2,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/posts\/681\/revisions"}],"predecessor-version":[{"id":1117,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/posts\/681\/revisions\/1117"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/media\/1115"}],"wp:attachment":[{"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/media?parent=681"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/categories?post=681"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/tags?post=681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}