<\/p>\n
Continuing her exploration of the <\/span>Divine Comedy<\/i><\/span> for the fifth year, Marina Spreafico reads and recounts one of the fundamental passages of Dante\u2019s immortal poem, a genuine \u201cplay within the play.\u201d The Earthly Paradise is the subject of the last seven cantos of the <\/span>Purgatorio<\/i><\/span>: arriving at the summit of Mount Purgatory, Dante reaches the first of his two paradises. After witnessing a triumphal procession, he meets Beatrice, and with her looks on as the chariot of the Church is transformed beneath his eyes into a monster controlled by a giant and a whore. Finally, after receiving the order to write the poem, he drinks the sweet waters of the River Euno\u00eb that make him at last \u201cpure and prepared to climb unto the stars.\u201d<\/span><\/p>\n \u201cI tackle the <\/span>Divine Comedy<\/i><\/span> from the point of departure that is best suited to me, the theater,\u201d explains the author of the project, \u201cfeeling authorized to do so by the title chosen by Dante for his work. Taken literally, the <\/span>Divine Comedy<\/i><\/span> reveals the action that generates it and, in my view, one of its profound meanings.\u201d<\/span><\/p>\n performed and directed by<\/b> Marina Spreafico<\/span><\/p>\n \u00a0<\/span><\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" Continuing her exploration of the Divine Comedy for the fifth year, Marina Spreafico reads and recounts one of the fundamental passages of Dante\u2019s immortal poem, a genuine \u201cplay within the play.\u201d The Earthly Paradise is the subject of the last seven cantos of the Purgatorio: arriving at the summit of Mount Purgatory, Dante reaches the…<\/p>\n","protected":false},"author":2,"featured_media":1757,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_themeisle_gutenberg_block_has_review":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10],"tags":[165],"class_list":["post-1385","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arsenale-teatro","tag-165"],"acf":[],"jetpack_featured_media_url":"https:\/\/www.teatroarsenale.it\/wp-content\/uploads\/2021\/03\/dante-065-2.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/posts\/1385","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/comments?post=1385"}],"version-history":[{"count":2,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/posts\/1385\/revisions"}],"predecessor-version":[{"id":1758,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/posts\/1385\/revisions\/1758"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/media\/1757"}],"wp:attachment":[{"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/media?parent=1385"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/categories?post=1385"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/tags?post=1385"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}