{"id":1373,"date":"2011-03-06T14:57:30","date_gmt":"2011-03-06T14:57:30","guid":{"rendered":"https:\/\/www.teatroarsenale.it\/?p=1373"},"modified":"2023-06-12T14:23:26","modified_gmt":"2023-06-12T14:23:26","slug":"un-corpo-in-pezzi-9-donne","status":"publish","type":"post","link":"https:\/\/www.teatroarsenale.it\/en\/un-corpo-in-pezzi-9-donne\/","title":{"rendered":"A Body in Pieces \u2013 9 Women"},"content":{"rendered":"<p><\/p>\n<p class=\"p1\"><span class=\"s1\"><i>by various authors<\/i><\/span><\/p>\n<p class=\"p4\"><span class=\"s1\"><b>The 9 women: the Sabine woman \u2013 the captive woman of the Bible \u2013 St. Catherine of Alexandria \u2013 Caterina the witch \u2013 Enrichetta Caracciolo, follower of Garibaldi \u2013 Cleonice Tommasetti, partisan \u2013 an anonymous wife \u2013 Teresa Caporale \u2013 Piccarda Donati<\/b><\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">\u00a0<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">It is for some thousands of years that woman has been \u201cdone violence to\u201d in our part of the world. That is to say all sorts of power are exercised over her. Apart from the primary act of brutal rape, the other kinds of violence are culturally refined. But above all violence has always been exercised against the cultured and intellectually gifted woman. It is against these women, secular or religious, scientists or artists, that the worst atrocities have been committed.<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">The woman has always found a way to escape the violence done to her: long oppression has strengthened her; it has developed her capacities and imagination; it has confirmed her role as a positive driving force of the world.<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">Nine women, from antiquity to the present day, lead us through a panoramic exploration of their millenary experience, and invite us to take them as an example for a better future in which freedom is understood as the harmonious development of what each one of us is. They encourage us to put back together \u201cthe body in pieces\u201d handed down to us by the brutality of the last few thousand years.<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">The 9 women: the Sabine woman \u2013 the captive woman of the Bible \u2013 Saint Catherine of Alexandria \u2013 Caterina the witch \u2013 Enrichetta Caracciolo, follower of Garibaldi \u2013 Cleonice Tommasetti, partisan \u2013 an anonymous wife \u2013 Teresa Caporale \u2013 Piccarda Donati<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">To finish: an example of counter-violence against men<\/span><\/p>\n<p class=\"p5\"><span class=\"s1\"><b>Texts\u00a0<\/b>Livy, Deuteronomy, Jacobus de Varagine, Franco Fava, Kris Celsi Gallo, Dante Troisi, Dante Alighieri, Martial<\/span><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>by various authors The 9 women: the Sabine woman \u2013 the captive woman of the Bible \u2013 St. Catherine of Alexandria \u2013 Caterina the witch \u2013 Enrichetta Caracciolo, follower of Garibaldi \u2013 Cleonice Tommasetti, partisan \u2013 an anonymous wife \u2013 Teresa Caporale \u2013 Piccarda Donati \u00a0 It is for some thousands of years that woman&hellip;<\/p>\n","protected":false},"author":2,"featured_media":1780,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_themeisle_gutenberg_block_has_review":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10],"tags":[96],"class_list":["post-1373","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arsenale-teatro","tag-96"],"acf":[],"jetpack_featured_media_url":"https:\/\/www.teatroarsenale.it\/wp-content\/uploads\/2021\/03\/scheda-corpo-in-pezzi_page-0001.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/posts\/1373","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/comments?post=1373"}],"version-history":[{"count":2,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/posts\/1373\/revisions"}],"predecessor-version":[{"id":1781,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/posts\/1373\/revisions\/1781"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/media\/1780"}],"wp:attachment":[{"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/media?parent=1373"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/categories?post=1373"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/tags?post=1373"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}