{"id":1367,"date":"1985-03-06T14:53:38","date_gmt":"1985-03-06T14:53:38","guid":{"rendered":"https:\/\/www.teatroarsenale.it\/?p=1367"},"modified":"2023-03-30T11:07:31","modified_gmt":"2023-03-30T11:07:31","slug":"trio","status":"publish","type":"post","link":"https:\/\/www.teatroarsenale.it\/en\/trio\/","title":{"rendered":"Trio"},"content":{"rendered":"<p><\/p>\n<p class=\"p1\"><span class=\"s1\"><i>by Kado Kostzer<\/i><\/span><\/p>\n<p class=\"p4\"><span class=\"s1\"><i>The author<\/i><\/span><\/p>\n<p class=\"p5\"><span class=\"s1\">An Argentinian, he took a degree in Architecture in 1972 at Buenos Aires. From 1966 to 1969 he took part in various productions as actor, stage designer and director\u2019s assistant, still in Buenos Aires.<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\"><i>Brief plot<\/i><\/span><\/p>\n<p class=\"p5\"><span class=\"s1\">There is no real plot.<\/span><\/p>\n<p class=\"p5\"><span class=\"s1\">There is a house, of which we see just the kitchen, in which three sisters live: Leonora, the eldest, makes clothes for babies and never goes out; Amalia, the middle sister, who works as a clerk, only goes out to the office; Elisa, the youngest, helps Leonora and runs errands for her occasionally.<\/span><\/p>\n<p class=\"p5\"><span class=\"s1\">We hear a lot about other people, but never see them: their mother, the fourth sister Elvira and her daughter are the most important.<\/span><\/p>\n<p class=\"p5\"><span class=\"s1\">Their life is punctuated by a number of recurrent events: Mass, deliveries to the B\u00e9b\u00e9 Rosa, Amalia\u2019s office, Carnival, going on vacation, the neighbors&#8230;<\/span><\/p>\n<p class=\"p5\"><span class=\"s1\">The world is divided in two: outside and inside their home; everything bad comes from outside&#8230;<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\"><i>Why I chose this script<\/i><\/span><\/p>\n<p class=\"p5\"><span class=\"s1\">I was intrigued when I read it and wanted to understand it better: for me the only way to do this was to put it on.<\/span><\/p>\n<p class=\"p5\"><span class=\"s1\">I liked the situations it creates, the absence of any real story, its ambiguity. It still seems relevant in its themes.<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\"><i>What the structure of the production\u00a0is<\/i><\/span><\/p>\n<p class=\"p5\"><span class=\"s1\">The production consists of eight scenes: variations on the theme.<\/span><\/p>\n<p class=\"p5\"><span class=\"s1\">The scenes or pictures are isolated from one another by music, a sort of sea of sound that opens up to let the variation surface and then sink back again. Recurrent images float above it all.<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\"><i>Marina Spreafico<\/i><\/span><\/p>\n<p class=\"p6\"><span class=\"s2\">Trio<\/span><span class=\"s1\"><i> won the S.A.C.D. Lugn\u00e9-Poe Prize<\/i><\/span><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>by Kado Kostzer The author An Argentinian, he took a degree in Architecture in 1972 at Buenos Aires. From 1966 to 1969 he took part in various productions as actor, stage designer and director\u2019s assistant, still in Buenos Aires. Brief plot There is no real plot. There is a house, of which we see just&hellip;<\/p>\n","protected":false},"author":2,"featured_media":1535,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_themeisle_gutenberg_block_has_review":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10],"tags":[130],"class_list":["post-1367","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arsenale-teatro","tag-130"],"acf":[],"jetpack_featured_media_url":"https:\/\/www.teatroarsenale.it\/wp-content\/uploads\/2021\/03\/1985-TRIO-I-2-scaled.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/posts\/1367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/comments?post=1367"}],"version-history":[{"count":2,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/posts\/1367\/revisions"}],"predecessor-version":[{"id":1536,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/posts\/1367\/revisions\/1536"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/media\/1535"}],"wp:attachment":[{"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/media?parent=1367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/categories?post=1367"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.teatroarsenale.it\/en\/wp-json\/wp\/v2\/tags?post=1367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}